Aaron Potter

Hitman 3 doesn’t do too much to improve on its predecessors or the Hitman formula in general, choosing to instead emphasize the features and elements that always made the series great.

Raven Software’s senior creative director explains the dos and don’ts behind a classic CoD campaign.

Easily living up to its name and ambitious premise, BPM offers up enough hellish variety to keep you rocking and gunning for hours.

What good is a video game hero without a wise-cracking buddy by their side?

Mafia: Definitive Edition may not be the best remake ever made but it is a great reminder of what made the original so great.

Marvel’s Avengers isn’t by any means a bad game, it’s just not the particularly exceptional one we’ve come to expect from this juggernaut IP.

The massive interest in the game may have led to a few glitches and bugs on the server side of things at launch, but in almost every other aspect Fall Guys absolutely delivers on its “party game meets battle royale premise.”

With game publishers keener than ever to fill the space between blockbuster releases, studios that specialize in porting are seeing increased demand.

For TimeSplitters's 20th anniversary this year, we talk to David Doak about creating the seminal shooter.

The creators of Knightmare and Last Commanders describe the tricky process of introducing video game elements to TV shows.

The Last of Us Part 2 is a follow-up to one of the most beloved video games ever made. Does it live up to the massive expectations?

The best Marvel heroes are the ones made out of blocks.

Why now is the time for NetherRealm to develop that crossover fighting game based entirely on horror icons we've all been hoping for

With Darksiders shifting genres for its new prequel spin-off, OXM chats to series creator Joe Mad about his comic book origins, surviving THQ's downfall and making hellish action games.

Inside the tiny studios making games based on Hollywood properties.